The adventures of Uncle Grandpa who is out to help every child and adult in the world through the power of imagination. With his mystical R.V. and eternal optimism, Uncle Grandpa is always ready to greet the day - and everyone he meets - with his signature, "Good Mornin'."

A buddy series of "Dukgyu," a 68-year-old making weird poses in front of the gym mirror, wearing a sleeveless t-shirt, and his grandson "Donghyun," who just doesn't get him.

Joon Hyeok is an unpopular musician whose life has hit rock bottom. He had already broken off his relationship with his older sister, Joon Hee, when her son appeared before him. His nephew developed Obsessive–compulsive disorder after his mother divorced his stepfather. Joon Hyeok takes his nephew in and looks after him. Joon Hee divorced her physically abusive husband after 12 years of marriage. She moved into an inexpensive apartment and now faces losing custody of her son to her ex-husband and his mother.

Driven to turn his country's fortunes around, Kim San crosses paths with Pak Doochill, a shady fixer who adapts quickly to any situation; together, the pair form an uneasy alliance.

Ashok Bansal has a traumatic childhood which teaches him that money matters most to people, even more than their kids. Ashok starts hating poor people & starts working hard to get out of poverty, at the expense of his own family. However, Ashok’s life changes forever when Munna enters his life.

A young girl becomes the great love of the Nazi leader's life. It spans the years between 1929 and 1945, and focuses on Hitler's obsessive relationship with his niece Geli Raubal, which eventually led to the girl's suicide, then goes on to tell the story of how Eva Braun became his wife.

Rapper/multi-millionaire P. Miller becomes the guardian of his sister's three children - all of whom need a father figure in their lives.

Margaret is visiting a relative in hospital. Victor is his usual self, complaining about everything; and Margaret is her usual self, pretending not to hear him...or is she?

Cultures collide when an old Armenian man stars in a new reality show

The director’s grandparents, who have been together for over 60 years, recall (and re-edit) fragments of their life together. The film, originally intended as part of a video installation, captures a return to a nonlinear past, while also probing how textures and the materiality of images can be inscribed onto the cinema screen. 　　“A play of light, shadows, and pixels, Alma Buhagiar’s film comes from afar, from a cinema now forgotten where a superimposition, a portrait dissolving into the landscape, could be suspense, climax, could be a story in itself. Beyond its rarity, the charm of this PATCHWORK is mainly the unspoken seriousness of this game of filming with the grandparents. Of course, showing their love is certainly a pleasure, listening to their spells is a curiosity, and making them dance in each other’s arms is pure joy. Still, it is just as certain that the three of them are aware they are staging scenes for eternity, equally concerned with the past, present, and future. In fact, it may be that this is what any home movie is doing.” (Călin Boto)